I just realized that I don´t know how to spell "psycho". phsyco. pyshco. pschyo. I think I might have dyslexia or something.
Anyhow, there is a bird out back over the fence somewhere who seems to be singing the sound track from the shower scene in "Psycho". I´ve had it with him. He´ll have to be boiled and eaten before Xuxa arrives.
On the creative robbery front, the gangsters here in Rio have placed observers in the airport. They watch for dumb rich people to come out with a gold chain and a Rolex. They follow them and then pull them over and rob them. They just robbed a busload of 33 British horse race fans and made off the $200 K. The Brits descibed them as "truculent". Not to worry. They published a composite drawing in the paper. I think there are at least four guys in the bar next door who look exactly like the robber. I´m gonna just hang around and see which of them acts truculent and then I´ll call the cops.
Through my friend Jorge I found another cool samba hang last night. In the late 70s/early 80s there was a bloco in Catete called Embalo. They apparently got pretty good as they made it up to the Sapucai and were actually involved in it´s inaugeration. There is a move to put the bloco back together and we attended the first rehearsal last night. It was that perfect scene that I love. At the foot of the Santo Amaro morro, the whole neighborhood came out to play some samba, sing some songs and let the kids run wild. It was like a samba playground. The people were soooo nice. At one point I tried to sit down in this plastic chair and one of the locals wouldn´t let me saying that it was too weak and that some folks had fallen in it. He got a stiffer one for me. I´d never seen this guy in my life!! The fun went on till about 1AM when we had to stop so that the neighbors could sleep.
We went to Sapucai on Friday to see the technical rehearsals of Vila Isabel, Viradouro and Salgueiro. Remember what I said about these things getting a little too popular? Well, apparently on this particular night, there must have been a huge moron convention in town. Over to the side in the stands there are the usual little stairs commomly used for going up and down the stands to and from your seat. The moron convention arrived and decided, "Oh look!! There are all these great spots with no one in them. We´ll just stay here." This, of course, trapped about 400,000 people with full bladders in the stands. When you tried to go down the stairs, people got mad because you were bothering them. At that point my usual polite "Da Licenca" stopped being a request and became more of a warning shot. I meant to give them the option of either getting out of the way or being moved along in front of me as I exited. Either way, I was going out. Quite an experience. One I´ll skip in the future.
Aside from the morons in the stands, the rehearsal was really unbelieveable. I really mean that. These once simple run throughs to get used to parading and playing and finishing on time have turned into a competition. Sort of an opening round in the run up to Carnaval. All of the baterias where amazing. Tight and swinging with very cool breaks. All the schools are now developing these long phrases with call and responses from the various sections. This is the new evolution of the vocabulary. I predict that, in two years or so, two or three of the coolest ones will mainstream, that is, they will be known by everyone and can thus become part of the common vocabulary of sambistas everywhere, no matter what school they are from. That's my read on how it works.
In my opinion, Viradouro carried the day by a large margin. That bateria is hot, hot, hot and mestre Cica is the Webster´s Dictionary of the emerging vocabulary of samba. The dude is a heavyweight. Not only was the bateria smokin', they also put on a show with all the alas in colorful shirts, baianas in the big red skirts that twist back and forth, etc. They also had these 5 or 6 mostly nude women up on these 30 foot high quadraped poles riskng their lives and dancing away while swinging sparklers around. Quite a show.
Went to Monobloco the other night just to check it out. It´s different from my other experiece here in Rio. It is egalitarian in that there are people of all colors, sizes and sexes playing whatever instrument they want. Women on caixa for instance. On the other hand, it seems to be more of a school. I think it´s where rich mostly white guys can come and pay to learn how to play samba. You have to arrive in October, pay and attend all the rehearsals (they take role) in order to parade and play the shows. They rehearse in the Fundacao Progresso which is a very cool, old, huge building under the arches in Lapa. The building is so big and industrial looking that it remeinded me of Blade Runner or something. I had a dream about aliens invading in that same building that night in fact. (I still haven´t completely gotten over that octopus thing.) That's the good news. The bad news is that the acoustics in the place are horrid. The only way to hear the bateria is to be in it. Otherwise it´s a huge roar.
Anyhow, the music and breaks of Monobloco are interesting and well-rehearsed but it´s really not my taste. Too western for me.
I got an e-mail about 6 months ago from someone in England where a debate was raging about whether there is "clave" in Brazilain music. Of course there is. When the director looks at you and points his fingers in opposite directions and yells "Cruzou porra!!!" that pretty much means that there is indeed "clave" and that you don´t know where it is. j